Healing BookmarksbyLauren Roberts
Bookmarks have been inexpensive advertising vehicles for authors, publishers, bookstores, clothing manufacturers, beverage makers. In fact, darn near every product and many service producers use bookmarks and have done so since the last quarter of the nineteenth century. It should come as no surprise then that makers of medicines, especially those of the late nineteenth and early twentieth centuries, depended on bookmarks that their salesmen could use as “gifts” and reminders of their products. Some were charlatans, others more real, but they all had this in common: They were out to sell their products, and reading being a popular pastime bookmarks made a perfect aide memoire. That purpose is perfectly illustrated by this bookmark from Reed & Carnrick, a firm that has since merged with Schwarz-Pharma, a European firm. “May this bookmark help to ‘keep your place’ during your reading,” it emphasizes, “as well as mark that page of your memory on which are written the advantages of . . .” The bookmark seems aimed at physicians since it notes that “kidney emergencies,—such as Nephritis, Uremia, Eclampsia, et cetera,—is meant the early and conscientious use of Nephritin. Play safe by making it your invariable rule to prescribe Nephritin at the very first sign of a kidney condition.” ![]()
Another, say we say, quirky bookmark comes from the Antikamnia Chemical Company of St. Louis IL. Advertising its Antikamnia Tablets for “headaches, neuralgias, La Grippe, Women’s Ills and Men’s Worries, it indicates that two tablets will “beat ‘em all.” This bookmark, unlike the previous one, has all the hallmarks of an over-the-top nineteenth century one beginning with its name. ![]() The Phenyo-Caffein Company of Worcester, MA, seems, with one exception—an obscure “restraint of trade” law case wherein the merchant is forbidden to sell the product for less than the face price—to have disappeared from the pages of history. But its bookmarks are interesting. Small—two inches long and 1.25 inches wide—they nevertheless promise pain relief from headaches and neuralgia: “It touches the spot / And the pain is not.” The backside offers even more: Mail us2 Phenyo-Caffein Box Covers,” it says, “for a Chilian or Checkboard Puzzle or 4 Covers for the 2 puzzles.” What is a Chilian puzzle? I have no idea. ![]()
Maltine. It sounds like Ovaltine, something I vaguely recall from childhood as being chocolate like. Not true, though. You could get this maltine with various additives including coca wine, peptones, cod liver oil, wine of pepsin and—especially alarming—with phosphate iron, quinia and strychnia. ![]() Wright’s Indian Vegetable Pills were developed by Philadelphia doctor William Wright in 1837. They were just one of many patent (popular) medicines hawked in the nineteenth and early twentieth centuries, and reputed to cure every thing. No doubt most of them were at least honest in one way because alcohol (or morphine, codeine, cocaine and other addictive substances) were frequently part of their make-up. Even medicines marketed to mothers for their fussy children were known to have these ingredients. ![]() Dr. D.B. Hand’s remedies “for sickly and crying babies” included diarrhoea mixture, colic cure, pleasant physic, worm elixir, cough & croup medicine, teething lotion, general tonic and chafing powder. Though I can find very little about him today—the New York Times has an 1891 article on a lawsuit in which he played a relatively minor role—but numerous examples of his trade cards and bookmarks abound. He must have been very active in promoting his products, and very well off too from their sales. It’s very easy to imagine frustrated, tired mothers believing that a doctor would not lead them astray. And when his medicine worked—well, there was no need to question what made it work. ![]()
Hood’s Sarsaparilla (“If Made by Hood, It’s Good”) was made by C.I. Hood Company of Lowell, MA. It is one of the few companies about which there is information, and that is surely due to its success. C.I. Hood had spent 42 years in an apothecary store. In 1917, he talked about his beginnings: “It occurred to me that there was a great opportunity for a business introducing a blood-purifying medicine with efficiency and economy as its base . . . just at this time, a patient . . . brought to my drug store a prescription of unusual ingredients, which produced a remarkable cure for this customer, who had been a great sufferer from blood and nerve troubles . . . for several years . . . I took this prescription as a base and perfected a formula for Hood’s Sarsaparilla.” Not surprisingly for the time it included, among the herbs, 18 percent alcohol. The advertisers of the day were quick to capitalize on this situation by distributing free color pictures of children, animals, young ladies, and country scenes. These pictures had advertising combined with the design, and text on the back of the extolled the merits of the product. The use of printed advertising developed markets in all parts of the country, and the world. This deluge of printed matter was the first stop taken in the development of name brand products. The glory of the company's advertising style was its calendars. About 150 printers, pressmen, and binders were employed exclusively in the production of the calendars for over five months each year. The artwork was of the highest quality, most of it done especially for these calendars. Not an inch of space was wasted. Each page was filled with almanac information, testimonials, symptoms of diseases, descriptions of products, and coupons for games, puzzles, and other gifts. And with all that, they still managed to squeeze in the days of the month.Patent medicines were the subject of a chapter in The Toadstool Millionaires: A Social History of Patent Medicine by James Harvey Young, Ph.D. Chapter 11, “The Pattern of Patent Medicine Appeals,” offers a fascinating and well-researched history. According to Young, “The medicine man had something to teach because he had operated in an economy of abundance almost from the start. Since sickness was well-nigh universal, the demand for his wares was potentially inexhaustible. But then, so also was the supply. There was no end to the variety and quantity of ingredients available, and there were soon more pills and potions than Americans could swallow conveniently.” Psychology, of course, was the underlying foundation of the advertising. Customers wanted to be healthy. Medicines were available. How, then, to get the customers to pick your medicine out of all of them? Advertising. Radio and television were unknown, but mail, newspapers, street and countryside advertisements were all utilized. Gaining the customer’s trust was another important factor, and that medical respectability came from written materials (often given for free or at low cost) at a time when reading and books were valued far more than now. Home remedies were common, and books on them written by doctors were kept around. The difference between the two was that the pamphlet or book given by the patent medicine man recommended only one solution—his medicine. Other ways for the materials to gain credence in the customer’s eyes was to have quotations (or misquotations) from medical authorities in them. It was a tricky path to trod. On one hand, the use of medical authorities was useful in convincing customers of the reliability and honesty of the materials; on the other hand, the goal was to get the customer to use the brand being promoted. ’The medical ad,’ opined an advertising executive at the turn of the century, ‘which gives symptoms and tells the progressive stages of a disease, saying plainly what it will lead to if it is not checked, is the one which will produce the most effect on the ordinary mind. I believe most ailing people get a morbid satisfaction from reading vivid descriptions of the symptoms of their sickness.’“It was all very well to frighten the customer,” notes Young, “but it was also necessary to reassure him. Such reassurances often came in the form of testimonials. Some were purchased cheaply, others were simply offered by those who believed they were cured, and some from those who liked seeing their names in public. Regardless of where they came from, testimonials were effective, especially in smaller towns. ’If your brains won't get you into the papers,’ advised a newspaper editor, ‘sign a 'patent medicine' testimonial. Maybe your kidneys will.’” Bookmark Specifications: Nephritin Dimensions: 10” x 3 1/4” Material: Paper Maker: Reed & Carnrick Date: Early to mid-twentieth century? Bought: eBay Bookmark specifications: Antikamnia Tablets Dimensions: 4 1/2” x 1 1/2” Material: Paper Manufacturer: The Antikamnia Chemical Company Date: Approximately 1900-1910 Acquired: eBay Bookmark specifications: Phenyo-Caffein Dimensions: 2” x 1” Material: Paper Manufacturer: Phenyo-Caffein Co. Date: Late 1900s Acquired: eBay Bookmark specifications: Maltine Dimensions: 3 1/4” x 1 1/2” Material: Celluloid Manufacturer: Unreadable Date: Unknown Acquired: eBay Bookmark specifications: Wright’s Indian Vegetable Pills Dimensions: 6” x 2” Material: Cardboard Manufacturer: Unknown Date: Unknown Acquired: eBay Bookmark specifications: Hand’s Remedies Dimensions: 7” x 2” Material: Paper Manufacturer: Hand Medicine Co. Date: Late 19th century Acquired: eBay Bookmark specifications: Hood’s Sarsaparilla Dimensions: 7” x 2” Material: Paper Manufacturer: C.I. Hood & Company Date: Late 19th century Acquired: eBay Almost since her childhood days of Mother Goose, Lauren has been giving her opinion on books to anyone who will listen. That “talent” eventually took her out of magazine writing and into book reviewing in 2000 for an online review site where she cut her teeth (as well as a few authors). Stints as book editor for her local newspaper and contributing editor to Booklist and Bookmarks magazines has reinforced her belief that she has interesting things to say about books. Lauren shares her home with several significant others including three cats, 800 bookmarks and approximately 1,000 books that, whether previously read or not, constitute her to-be-read stack. She is a member of the National Books Critics Circle (NBCC) and Book Publicists of Southern California as well as a longtime book design judge for Publishers Marketing Association’s Benjamin Franklin Awards. You can reach her at This e-mail address is being protected from spam bots, you need JavaScript enabled to view it |







