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Grandpa’s Library
by
Paul Clark
This is a story about a book found, lost, found again, misplaced, found, and then “discovered.”
When I was growing up, on Sundays, after church and before lunch, my family visited my Dad’s dad, who lived a few blocks away from us. I remember my grandfather only as an old man so these Sunday visits were sedate affairs. In the first few years that I can remember, my grandfather would greet us in his living room, sitting in his rocking chair. He would take turns giving rides on his knees to whichever of my brothers and sisters were still small enough to fit. He had a little rhyme that he said as he bounced his grandchildren—I have the vaguest memory of him reciting it, a stronger memory of my dad repeating it in later years when we tried to remember this bouncy ditty.
After spending time with him, the kids were free to do whatever we
wanted, which, in a house with an 80-year-old man, his 40-something
unmarried daughter, and a live-in maid, was not much. There was a grand
pool table in the basement with woven leather pockets, and a player
piano that had seen better days. We couldn’t really play anyway without
an adult nearby, and they were all upstairs talking.
In the
attic, there were one or two toys left over from my dad’s childhood
that were fun for a while. There also were many quiet games of hide and
seek that spanned all levels of the house.
At eight or nine
years old, I became more fascinated with my grandfather’s small library
on the first floor. It had bookcases on two sides and windows that
faced north. There was a chair and a small side table. In my
imagination, the books towered above me on their shelves, but, of
course, I was a small child so lots of thing towered above me. The
books themselves were way above me. I do remember pulling some of them
off the shelf and paging through them but, like Alice, losing interest
because there were no pictures.
There was one book for kids, a
picture book from a Disney cartoon, the one where Donald Duck gets a
penguin delivered to him. I have that book now, somewhere in my attic
with all of my kids’ books.
There was another fearsome-looking
book. It was in a boxed set of three volumes sitting on a top shelf.
What I remember from that book was a wide, terror-filled eye on the
spine. That image simultaneously scared and attracted me, and it wasn’t
until some years later, when my grandfather died and that boxed set
ended up on one of my parents’ bookshelves, that I was able to pull the
book out of its case to see what the whole image was.
But
there was a third book on the shelf that ultimately became the one book
that made me look forward to these visits to grandpa—The Second Fireside Book of Baseball
(Simon and Schuster, 1958) edited by Charles Einstein. Einstein was a
long-time sportswriter and mystery writer (and the half-brother of
actor/comedian Albert Brooks) who died just last year. In the 1960s, of
course, none of that meant anything to me. All I cared was that in this
room full of books that I couldn’t understand here was one book filled
with pictures of baseball players in action, most of whom had long
since died or retired.
In addition, to the pictures, there were
cartoons like “Dennis the Menace” and “Pogo” and cartoons from the New
Yorker, all with baseball themes. There were many stories of old-time
ball players and famous games and poetry and short stories. I reveled
in the stories of players and games and mainly skipped the stories and
poetry. There was even a baseball game you played with dice; I
remembered to bring dice with me each week when we went visiting.
When
my grandpa died, my dad took little from his childhood house (we
already had a very full house). The player piano was beyond repair. The
pool table was too big to consider moving. He took only a few books—the
aforementioned “Donald’s Penguin” and the boxed set with the
fearsome-looking horse’s eye are the only ones I remember on my
parents’ shelves. The baseball book was not one of them.
It
remained just a memory until a few years ago when I found a copy at a
library book sale, in a pile of free books that were one step away from
being discarded. A library copy, it was battered but instantly
recognizable. I took it home, and spent an enjoyable afternoon looking
at well-remembered pictures and cartoons, then put the book on a shelf.
It migrated around the house for a few years as bookshelves were
reorganized, books given away or otherwise boxed up.
I found it
the other day, at the tail end of this Midwest winter that never seems
to end, in a most inauspicious place for a book—underneath the back
porch, lying on the top of a box of “stuff” (no better word for it)
headed for the garbage. It had laid there all winter, protected from
the snows but not the extreme temperatures.
I rescued it once
again and, for the first time in my long acquaintance with this book, I
took a closer look at the names on the cover. Yes, there are a lot of
old-time sportswriters’ names here, but there also are these
names—Sherwood Anderson; Jacques Barzun; Bennett Cerf; Finley Peter
Dunne; James T. Farrell; Mark Harris; Shirley Jackson; Ring Lardner;
Bernard Malamud; Marianne Moore; Kenneth Patchen; Robert Penn Warren.
Writers famous for other reasons, but who all shared a passion for this
sport of boys played by men in the summertime.
(The pages with
the baseball dice game, however, had been cut out of the book, so that
remains just a memory.) Although the temperature remains below
freezing, and my interest in the current state of baseball has waned in
recent years, my passion for the sport of my childhood remains, much of
it bound in the covers of this book.
Paul Clark is a
writer in suburban Chicago. By day he edits a variety of print and
online business and legal publications. By night, he sometimes writes
for pleasure, though he keeps these writings under a bushel, and the
bushel he keeps in a dark shed outdoors. Paul co-wrote a humor column
called “Loose Canons” for the late, lamented Readerville Journal. He
recently purged the majority of his books from his shelves. Over a
series of essays, he will write about the books that remain and why
they are important to him. He can be reached at
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